Seagrove Pre-Conference Artist
Main conference Demonstrator
Invited Artists:
Cynthia Bringle, Tony Clennell and John Neely
During college, Ben Owen’s interest in form, design, and color piqued; and he began to forge his own unique path in clay. Through technical exploration and academic influences, Ben’s clay vernacular began to evolve. Travels in the US attending workshops and conferences along with a fellowship in Japan, extended his continued research. He has said, “My approach to working in clay is inspired by many influences. Tradition and vision merge to forge the future, as I honor the historic Owen aesthetic while creating a new, unique body of work. Culture, blended with influences in nature, inspire my work. With studies in China, Japan, Australia and Europe, as well as in the university setting, I have continued to create a unique identity from culture and nature.”
Ben’s recent passions have included glaze creation and experimentation. “For some pots, I use a four-chambered wood kiln with a firing process of up to four days. The prolonged exposure to ash and heat develops a wide range of color and texture on the clay. Other glaze techniques have evolved in a gas or electric kiln with a precision in temperature control to manipulate the finish. Some pieces are re-fired to develop layers and depth on the finish.”
Details:
Seagrove Pre-Conference Artist
Main conference Demonstrator
Invited Artists:
Cynthia Bringle, Tony Clennell and John Neely
During college, Ben Owen’s interest in form, design, and color piqued; and he began to forge his own unique path in clay. Through technical exploration and academic influences, Ben’s clay vernacular began to evolve. Travels in the US attending workshops and conferences along with a fellowship in Japan, extended his continued research. He has said, “My approach to working in clay is inspired by many influences. Tradition and vision merge to forge the future, as I honor the historic Owen aesthetic while creating a new, unique body of work. Culture, blended with influences in nature, inspire my work. With studies in China, Japan, Australia and Europe, as well as in the university setting, I have continued to create a unique identity from culture and nature.”
Ben’s recent passions have included glaze creation and experimentation. “For some pots, I use a four-chambered wood kiln with a firing process of up to four days. The prolonged exposure to ash and heat develops a wide range of color and texture on the clay. Other glaze techniques have evolved in a gas or electric kiln with a precision in temperature control to manipulate the finish. Some pieces are re-fired to develop layers and depth on the finish.”
Details: